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<channel>
	<title>Shannon Lee </title>
	<link>https://shannonlee.me</link>
	<description>Shannon Lee </description>
	<pubDate>Mon, 24 Apr 2023 21:02:23 +0000</pubDate>
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	<item>
		<title>Overview</title>
				
		<link>https://shannonlee.me/Overview</link>

		<pubDate>Mon, 24 Apr 2023 21:02:23 +0000</pubDate>

		<dc:creator>Shannon Lee </dc:creator>

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		<description>recent writing:
	&#60;img width="1878" height="1336" width_o="1878" height_o="1336" data-src="https://freight.cargo.site/t/original/i/14bc856426bd5fce88d197abf296117afde2945e6b375ce3d9df96872cd2ae51/Screenshot-2024-10-11-at-3.38.26PM.png" data-mid="219619143" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/14bc856426bd5fce88d197abf296117afde2945e6b375ce3d9df96872cd2ae51/Screenshot-2024-10-11-at-3.38.26PM.png" /&#62;
	Forge Project seeks new possibilities with nonprofit transitionEarlier this year, Forge Project acquired a new work quite unlike the rest in its collection: a short film featuring members of its staff and community satirizing art-world philanthropy as a call to action.

“Have you ever wondered how to ethically invest in Native futures? Redistribute wealth? Develop new models of Indigenous wealth? If so, this video is for you!” says non-Native actor Jim Fletcher in “Forge Reciprocal Relations,” by the artist collective New Red Order.



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	august 8, 2024
profile
times union

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&#60;img width="1444" height="992" width_o="1444" height_o="992" data-src="https://freight.cargo.site/t/original/i/a8ab2e2921dd679d52ba16404b81c7c3232b0dedada72caddca11369ad9dec84/Screen-Shot-2024-02-27-at-3.20.19-PM.png" data-mid="205603604" border="0"  src="https://freight.cargo.site/w/1000/i/a8ab2e2921dd679d52ba16404b81c7c3232b0dedada72caddca11369ad9dec84/Screen-Shot-2024-02-27-at-3.20.19-PM.png" /&#62;

	The Group Forging a Community of Color Upstate

On an unseasonably warm afternoon last October, amid a dazzling field of blooming cosmos overlooking rolling hills, members of Upstate Color (UPCO), a community group for people of color, exchanged stories while assembling custom-scented bath salts.&#38;nbsp;Taking in air perfumed by the scent of rose, mint and lavender essential oils at the Indigenous-led arts nonprofit Forge Project, folks shared what brought them to the Hudson Valley, and what their experiences up here have been like.“If I had to pick one scene that really captures the essence of what UPCO is to me, it’s that,” said Jordan Casteel, an artist and the founder of UPCO. “It was such a wonderful example of how we could create space with intention for people.” 


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	february 22, 2024

profile

times union



 



	

&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/3c8126dc3d14d72b08b9df591a7e4dee56916d8ce525caa06b9aed8f76917c28/IMG_0308--1702920293.jpeg" data-mid="205584030" border="0"  src="https://freight.cargo.site/w/1000/i/3c8126dc3d14d72b08b9df591a7e4dee56916d8ce525caa06b9aed8f76917c28/IMG_0308--1702920293.jpeg" /&#62;

	Vivien Sansour Plants Seeds of Hope for Palestine

“In Palestine, we bury our seeds in ash,” said Palestinian American artist and researcher Vivien Sansour, beckoning us to take a handful of soil and a packet of seeds. They are rose winter radishes, an heirloom from Palestine from her ongoing project, Palestine Heirloom Seed Library. “I invite you to bury with it the parts of you that are willing to accept this mediocrity.”

Organized by Sansour along with a group of faculty, staff, students, and community members at Bard College on a recent Friday afternoon in December, the symbolic funeral brought together nearly a hundred mourners to the campus’s Blithewood Garden to affirm life and hope in the face of suffocating death and destruction.

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	december 18, 2023

profile

the amp






	

&#60;img width="724" height="464" width_o="724" height_o="464" data-src="https://freight.cargo.site/t/original/i/9d41b8ac527dce66585e7ddc1fd68a626b6df421c7207ae4eccd9280ae181211/Screen-Shot-2024-02-27-at-3.10.58-PM.png" data-mid="205603235" border="0"  src="https://freight.cargo.site/w/724/i/9d41b8ac527dce66585e7ddc1fd68a626b6df421c7207ae4eccd9280ae181211/Screen-Shot-2024-02-27-at-3.10.58-PM.png" /&#62;

	
Arooj Aftab, Shahzad Ismaily, and Vijay Iyer on Love in Exile&#38;nbsp;

When musicians as singularly virtuosic and acclaimed as Arooj Aftab, Shahzad Ismaily, and Vijay Iyer are come together to merge their talents, it can often be a challenge to produce something whose sum is greater than its already enormous parts. Yet the group’s transcendent, self-titled debut, Love in Exile, accomplishes exactly that. “It’s no small thing to remark on mutual understanding and chemistry and it’s not always clear what the source is. But one source may be the recognition of the self in the other; when the sun speaks to the sun, when the moon speaks to the moon.” —Shahzad Ismaily




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	july 13, 2023

interview
the amp&#38;nbsp;






	

&#60;img width="784" height="524" width_o="784" height_o="524" data-src="https://freight.cargo.site/t/original/i/3001d289d533c325cab101dc1ad702581ab86367d57295c356f22a84c4f3b85f/Screen-Shot-2023-07-20-at-6.58.03-PM.png" data-mid="185658670" border="0"  src="https://freight.cargo.site/w/784/i/3001d289d533c325cab101dc1ad702581ab86367d57295c356f22a84c4f3b85f/Screen-Shot-2023-07-20-at-6.58.03-PM.png" /&#62;

	
A Trickle in Time: Mary Mattingly’s Watery Manifesto for Collective Futures

Faced with the increasingly volatile forces of nature brought on by anthropogenic climate change, our seemingly solid structures often reveal themselves to be all the more transparently hollow. Like much of Mattingly’s practice, this exhibition works overtime, both identifying problems of ecology and the environment while offering potential curative alternatives—all with her characteristic sense of joy, community, and most urgently, hope. In doing so, she follows in the footsteps of artists like Agnes Denes, Mel Chin, and Maria Thereza Alves who have long recognized that it is not enough for artists to simply point to an ill; it is the artist’s distinct power to imagine something beyond it.

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	july 10, 2023

review
mold&#38;nbsp;






	

&#60;img width="734" height="486" width_o="734" height_o="486" data-src="https://freight.cargo.site/t/original/i/800f0b00ce4c18defadf57defce5dfa7d02afc11597a904d33e17f510cb036ba/Screen-Shot-2024-02-27-at-3.05.08-PM.png" data-mid="205603093" border="0"  src="https://freight.cargo.site/w/734/i/800f0b00ce4c18defadf57defce5dfa7d02afc11597a904d33e17f510cb036ba/Screen-Shot-2024-02-27-at-3.05.08-PM.png" /&#62;

	
Director Celine Song on Her Debut Film, “Past Lives”

Based on events in Song’s own life, the drama and tension of the film lies in the profound melancholy of life moving on and the agony of possibilities. Told from the lens of immigration, these experiences are drawn even closer to the surface; past lives still haunt the present. Since premiering at Sundance this past January, the film has been dubbed the best movie of the year thus far and is already being teed up for Oscar nominations.

Ahead of the film’s nationwide release on June 23, we sat down with Celine Song to discuss the debut, her prior work as a playwright, and why the concept of alternative realities, past lives, and multiverses seems to have particular resonance within AAPI and immigrant storytelling in recent years. 

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	june 13, 2023

interview
the amp&#38;nbsp;







	

&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/8d125d0dad1ea209471e0709769b8c8176080ae881106dee241ae08619a394f5/TJShinBICA72dpi-37.jpg" data-mid="176509113" border="0"  src="https://freight.cargo.site/w/1000/i/8d125d0dad1ea209471e0709769b8c8176080ae881106dee241ae08619a394f5/TJShinBICA72dpi-37.jpg" /&#62;


	
TJ Shin De-Sanitizes Natural History

Arranged in a mycelial pattern on a low floor plinth, a smoldering network of incense made from mugwort transfected with Shin’s DNA rests on a chalk-white bed of diatomaceous earth. Recalling rituals of cremation by merging their own genetic material with the anti-malarial weed, Shin binds themself to this storied plant as it burns slowly against a snowy substrate of insecticidal fossil dust. In doing so, the artist becomes a fumigatory agent, or a weapon of sanitizing purity and cleanliness.

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	april 19, 2023

review

the amp








	
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/4de226a79c33bcf345bf78ec70cd27241497824728d8474a9a827a6016564bfa/Shahzia-Sikander-In-Process_08.JPG" data-mid="176510498" border="0"  src="https://freight.cargo.site/w/1000/i/4de226a79c33bcf345bf78ec70cd27241497824728d8474a9a827a6016564bfa/Shahzia-Sikander-In-Process_08.JPG" /&#62;

	Shahzia Sikander on Using Art to Inspire Possibilities


“Society’s perception of the tensions between women and power and how erasure is enacted by the social forces that shape women’s lives constructs what femininity means to me. The feminine as the monstrous, the abject, the fecund, the immense, and the vulnerable have permeated literary history. Intimacy, selfhood, valor, resistance, and femininity’s intersections with race and war are indicators of the fear that lurks when boundaries melt.”
-Shahzia Sikander

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	march 21, 2023

interview
the amp






	
&#60;img width="1200" height="795" width_o="1200" height_o="795" data-src="https://freight.cargo.site/t/original/i/084716e884d61fc9a99609a1c6764b47a13fb1d169a5d31832ecbf92e06f9f4b/storefront.jpeg" data-mid="176511051" border="0"  src="https://freight.cargo.site/w/1000/i/084716e884d61fc9a99609a1c6764b47a13fb1d169a5d31832ecbf92e06f9f4b/storefront.jpeg" /&#62;

	Tomie Arai and Diane Wong on Collecting AAPI Stories


“How do we build memorials and public spaces to process our collective grief and loss?” 
-Tomie Arai

“What’s beautiful about memory work is that it can shape-shift with time.” 
-Diane Wong


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	march 6, 2023

interview
the amp








	
&#60;img width="1200" height="913" width_o="1200" height_o="913" data-src="https://freight.cargo.site/t/original/i/84d9b20c2264ddbd4b40f478795261cc0783e56475fe0ca3e30cc979daad23aa/cfgny.jpeg" data-mid="176513852" border="0"  src="https://freight.cargo.site/w/1000/i/84d9b20c2264ddbd4b40f478795261cc0783e56475fe0ca3e30cc979daad23aa/cfgny.jpeg" /&#62;

	
CFGNY on Using Fashion to Expand Asian Identity


Depending on when and who you ask, the fashion label-cum-art collective CFGNY can stand for either “Concept Foreign Garments New York” or “Cute Fucking Gay New York.” These interchangable definitions both summarize the group perfectly in their own way, one in meaning and one spirit, and together are demonstrative of a deep-seated dedication to the pluralistic and plastic.



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	february 10, 2023&#38;nbsp;

interview
the amp









	
&#60;img width="1500" height="1001" width_o="1500" height_o="1001" data-src="https://freight.cargo.site/t/original/i/af403902f305bc80335f59da2c1eab24958625e2b1d07814da74ab0177c4f221/LNY_Exhibition.jpeg" data-mid="176511858" border="0"  src="https://freight.cargo.site/w/1000/i/af403902f305bc80335f59da2c1eab24958625e2b1d07814da74ab0177c4f221/LNY_Exhibition.jpeg" /&#62;

	







“This is Home” Captures the Everyday Beauty of Community


What makes a group of people a community? When does a place become a home? Reigning in the year of the water rabbit, the current exhibition at Flushing Town Hall features the work of three photographers capturing NYC’s AAPI enclaves. Titled “This is Home,” the show explores the indelible sense of belonging, pride, and self-assuredness present in these neighborhoods.

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	january 24, 2023

review
the amp








	
&#60;img width="1334" height="948" width_o="1334" height_o="948" data-src="https://freight.cargo.site/t/original/i/29484eef56323957cc8510a4a1ed54947a75050e81171e4c7b1c27c53d658970/Screen-Shot-2023-04-24-at-6.03.03-PM.png" data-mid="176512252" border="0"  src="https://freight.cargo.site/w/1000/i/29484eef56323957cc8510a4a1ed54947a75050e81171e4c7b1c27c53d658970/Screen-Shot-2023-04-24-at-6.03.03-PM.png" /&#62;

	
Searching Beyond the Immediately Observable: Choe U-Ram at MMCA

We often think about technological progress within linear terms, like an arrow that only moves forward from its starting point. We tend to assume technology is a positive thing; that this ceaseless pursuit into the unknown is synonymous with advancement. Little Ark is a directionless vessel, heading nowhere discernable and to no foreseeable end, calling to question whether this assumption about progress is really true.

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	december 21, 2022

essay
hyundai artlab






	
&#60;img width="4000" height="2681" width_o="4000" height_o="2681" data-src="https://freight.cargo.site/t/original/i/2ac9b2c9dc41052c9269bf4edddbe560e8300c89c16ff93f4c8df9cfae25a7c8/KM.2022.D.4376.TheProfession.jpg" data-mid="176514156" border="0"  src="https://freight.cargo.site/w/1000/i/2ac9b2c9dc41052c9269bf4edddbe560e8300c89c16ff93f4c8df9cfae25a7c8/KM.2022.D.4376.TheProfession.jpg" /&#62;

	Kyung-Me on Depicting the Labyrinth of the Psyche


Meticulously detailed, each of the eight ink drawings depict surreal scenes that attempt to uncover a spiraling psychology. There is a maddening, inescapable symmetry to these works. Kyung-Me’s beautiful labyrinth of mirrors is a world that is both collapsing in on itself and opening wide like a maw, consuming its viewers.

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	december 13, 2022

interview
the amp








	&#60;img width="768" height="584" width_o="768" height_o="584" data-src="https://freight.cargo.site/t/original/i/bd73d65cf361952e30d4a81dfe44a1d738152f0a15d238ad93b966d1b32b0ad4/lilyhonglei-profile.jpg" data-mid="176514656" border="0"  src="https://freight.cargo.site/w/768/i/bd73d65cf361952e30d4a81dfe44a1d738152f0a15d238ad93b966d1b32b0ad4/lilyhonglei-profile.jpg" /&#62;
	Lily &#38;amp; Honglei on Using Old Stories to Heal New Wounds

“We found a lot of similarities between Asian immigrants’ life and ancient Chinese folk stories. Those hundred-year-old stories can be easily related to people suffering today. We place the ancient characters in today’s American society to reflect the isolation, family separation, and hard conditions in new immigrants’ life.”&#38;nbsp;
-Honglei


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	december 2, 2022

interview
the amp












	&#60;img width="2400" height="1468" width_o="2400" height_o="1468" data-src="https://freight.cargo.site/t/original/i/3a177c3627b17169a22dbe4baf1fd9221f51445298e6727130eb7a1751fe6e3c/Screen-Shot-2023-04-24-at-6.41.24-PM.png" data-mid="176516472" border="0"  src="https://freight.cargo.site/w/1000/i/3a177c3627b17169a22dbe4baf1fd9221f51445298e6727130eb7a1751fe6e3c/Screen-Shot-2023-04-24-at-6.41.24-PM.png" /&#62;
	Leah Thomas is Building a Generation of Intersectional Environmentalists

According to Thomas, while environmental justice establishes the policies and the data, intersectional environmentalism establishes the culture and framework needed to tackle the climate crisis. “Through environmental justice research, we’ve been able to see how racism and income are often compounding factors and big determinants as to whether or not, for example, people will live with toxic waste in their neighbourhood,” Thomas explains.


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	october 31, 2022

profile
gal-dem












	&#60;img width="1286" height="844" width_o="1286" height_o="844" data-src="https://freight.cargo.site/t/original/i/250b50b2efc1c7c5f88bb2fcdd791eb6766b2cd8fc29a2c65ca9b6f39b6e9cf4/Screen-Shot-2023-04-24-at-6.44.56-PM.png" data-mid="176516966" border="0"  src="https://freight.cargo.site/w/1000/i/250b50b2efc1c7c5f88bb2fcdd791eb6766b2cd8fc29a2c65ca9b6f39b6e9cf4/Screen-Shot-2023-04-24-at-6.44.56-PM.png" /&#62;
	How Filipino American artist Carlos Villa poignantly visualised Asian American invisibility

In 1958, 22-year-old Carlos Villa (1936-2013) received a troubling answer to a pressing question. As a young Filipino American student at the San Francisco Art Institute, Villa was curious to know about the history of Filipino American art. But when he asked his professor, Walt Kuhlman, he was bluntly told, “There is no Filipino American art history.” By Villa’s telling, this conversation catalysed a lifelong dedication to exploring and expressing his identity through his work as an artist, activist and educator.


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	may 3, 2022review

the art newspaper














	&#60;img width="2068" height="1774" width_o="2068" height_o="1774" data-src="https://freight.cargo.site/t/original/i/b3d1a2aea6a77c16068ddd12d560ff2137a09c6e14d5d74c4118648f4d8b4572/Screen-Shot-2023-04-24-at-7.00.01-PM.png" data-mid="176525370" border="0"  src="https://freight.cargo.site/w/1000/i/b3d1a2aea6a77c16068ddd12d560ff2137a09c6e14d5d74c4118648f4d8b4572/Screen-Shot-2023-04-24-at-7.00.01-PM.png" /&#62;

	Behind Dansaekhwa’s Rapid Rise into a Blue-Chip Movement

Translating to “Korean monochrome painting” in English, Dansaekhwa developed its universe of austere abstraction of its own accord, inspired by the specific dispossessing trauma of the Korean War and its wake. “We have come to a point where it is no longer possible to represent anything,” Park Seo-bo said upon the debut of his essential “Ecriture” works in 1973.


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	october 25, 2021
essay
artsy














	&#60;img width="1414" height="1018" width_o="1414" height_o="1018" data-src="https://freight.cargo.site/t/original/i/d2c5572fdab18140f4404d70a4df6c74e11df7a6476386f8b8f4d0d613fd70e4/Screen-Shot-2023-04-24-at-7.13.14-PM.png" data-mid="176523094" border="0"  src="https://freight.cargo.site/w/1000/i/d2c5572fdab18140f4404d70a4df6c74e11df7a6476386f8b8f4d0d613fd70e4/Screen-Shot-2023-04-24-at-7.13.14-PM.png" /&#62;
	A Modern American Roadtrip

Coming from the farmlands of South Korea, [my grandparents] rooted themselves in what they knew and understood best—the soil, trees, mountains, and rivers. On rare leisurely weekends, all six of them went camping at Wisconsin Dells State Park a few hours away. Laughing around a campfire, they piled kimchi onto their hotdogs and played the Korean version of rock, paper, scissors. Years later, when they moved to California, they visited National Parks like Yosemite, Yellowstone, and Arches, in awe of their impossible grandeur. 





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	summer 2021essay
your national parks magazine














	&#60;img width="1802" height="1010" width_o="1802" height_o="1010" data-src="https://freight.cargo.site/t/original/i/9b4fe56cf20d4641025dccbd15f39ef27f9de0df627fba1b1e334e2050a7ea58/Screen-Shot-2023-04-24-at-7.16.43-PM.png" data-mid="176523335" border="0"  src="https://freight.cargo.site/w/1000/i/9b4fe56cf20d4641025dccbd15f39ef27f9de0df627fba1b1e334e2050a7ea58/Screen-Shot-2023-04-24-at-7.16.43-PM.png" /&#62;
	Utopia in Bursts: The Insitute of Queer Ecology

A pervasive and narrow-reading of Darwinian evolutionary theory provided further cause for queer subversion. That reproduction and competition is the crux of all life on earth is one the earliest, most fundamental principles taught in biology, summarized roughly as the “survival of the fittest.” This limited understanding, however, has led to a harmful and widespread determination that, scientifically, queerness is unnatural when it is anything but—biology is brimming with instances of queer life.





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	fall/winter 2020profile
cura














	&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/8f273f61a5fee70e084ae3bb1fa6281ac8d276ddb25bebe0414202cb7025a542/terraforming-hero-red.png" data-mid="176525243" border="0"  src="https://freight.cargo.site/w/1000/i/8f273f61a5fee70e084ae3bb1fa6281ac8d276ddb25bebe0414202cb7025a542/terraforming-hero-red.png" /&#62;
	On Russian Terraforming:&#38;nbsp;The Space Race to Re-Engineer Our Imagined Futures

Founded by entrepreneur and philanthropist Alexander Mamut in 2009, the Strelka Institute is hardly what one might expect from a Russian university. With a mission to "educate the next generation of architects, designers, and media professionals, enabling them to shape the 21st century world,” it feels distinctly of the kind of heady cultural ilk affiliated with DIS Magazine and Hito Steyerl videos (i.e. intellectually radical, politically egalitarian and decidedly "cool").



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	the dirt issue
2020essay&#38;nbsp;
silica mag














	&#60;img width="2910" height="1962" width_o="2910" height_o="1962" data-src="https://freight.cargo.site/t/original/i/238a944fd4095f861e0f43ff131ce0b670f1e08293208cd1ad58e02825725693/Screen-Shot-2023-04-24-at-7.44.33-PM.png" data-mid="176525659" border="0"  src="https://freight.cargo.site/w/1000/i/238a944fd4095f861e0f43ff131ce0b670f1e08293208cd1ad58e02825725693/Screen-Shot-2023-04-24-at-7.44.33-PM.png" /&#62;
	Golf Poems: A Transcendentalist Ode to the Anthropocene



meander the coastal dunes during the front nine&#38;nbsp;
to the rocky coastline
a shot over the Pacific,
guarded majestic oceanfront
par three’s number fifteen
number sixteen par four seventeen
back-nine Holy Grail
its place in the upper echelon of history

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	the homeland issue 2019poems

silica mag









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